I found a set of cheap canvases at a distant Walmart. The canvas was course and had a difficult time taking on paint. I didn't think much of it until I realized how time-consuming the painting was becoming. I picked up some Gesso for the first time this week and gave it a shot. Whats Gesso? Gesso is a thin paint-like substance that everybody but me knew to use as a base coat on canvases. It's a whole new process. The paint moves more and blends better. Somehow, I remember painting like this last over a year ago. Here's Joker...
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Caroline is a girl who is unhappy with her parents. They aren't paying attention to her. Looking out from her beady eyes, Caroline sees a world populated by adults lost in the projects who push off play time into the future. Impatient Caroline wishes for more caring parents that give into her narcissistic only child dreams. Caroline wants to be the center of everyone's universe, and cannot feel normal without the constant self-affirming gaze that verifies her importance. Coraline finds a door which opens to a brick wall. Her mother reason's that the wall was build when the building was split into three apartments. But as Caroline notices this does not sufficiently explain the wall. “Why is the door small then?” Or, why would they build a wall to separate apartments when the apartments were separated vertically rather than horizontally. What's with the door and what is the its purpose? Is a justified question due to illogical architecture.
Thursday I presented on the Id, Ego, and Superego for my Clinical practice class. My plan was to explain the Id, Ego, and Super ego via psycho. I began by drawing the Bates's House on the whiteboard with a blue dry erase marker. I turned to the class and asked if anyone had scene Psycho. A handful of ladies raised their hands. I called on a couple people to explain the plot. Then I explained that in some psychoanalytic film theory floors of the home are designated by Id, Ego, and Super Ego. I wrote the word Super Ego next to the second floor of the house where I had drawn the silhouette of Norma Bates. Norma is up there overseeing and regulating Norman's moral compass. Pushing guild and savage categorical imperatives to support his disassociation and demonetization of women. This constant pathological voice compelling him via guilt is Normans superego. Norman is most 'normal' when he is on the ground floor of the house, but he is having difficultly managing the pushes