Philosophizing The Walking Dead S2E8 Nebraska, Trauma and Object Fetishism

The fetish is effectively a kind of symptom in reverse. That is to say, the symptom is the exception which disturbs the surface of the false appearance, the point at which the repressed Other Scene erupts, while the fetish is the embodiment of the Lie which enables us to sustain the unbearable truth. Let us take the case of the death of a beloved person. In the case of a symptom, I "repress" this death and try not to think about it, but the repressed trauma returns in the symptom. In the case of a fetish, on the contrary, I "rationally" fully accept this death, and yet I cling to the fetish, to some feature that embodies for me the disavowal of this death. In this sense, a fetish can play a very constructive role in allowing us to cope with the harsh reality. Fetishists are not dreamers lost in their private worlds. They are thorough "realists" capable of accepting the way things effectively are, given that they have their fetish to which they can cling in order to cancel the full impact of reality. (Zizek, 2014)So what is the trauma? Because Hershel and his family maintained the fetish that the zombifed members of his family were alive, they were never able to process or mourn the death of important family members in their lives. The fetish not only acted as a blockage to the Hershel family’s trauma, but also a repository for the pain they were not able to interact with because of their collective delusion. What the mass shooting at the barn lead to is at once a re-traumatization and a coming to the light of the original trauma. When members die people mourn and go through the stages of grief. When the ideas that structure your reality die your world crumbles and you psychologically disassemble.
Check out the next article in this series: Philosophizing The Walking Dead S2E9 Triggerfinger, The Dangers Of Altruism and Political Cowardice
References
Zizek, Slavoj (2014). CABINET // From Western Marxism to Western Buddhism. Retrieved 19 September 2014, from http://www.cabinetmagazine.org/issues/2/western
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