Jigsaw, on first appearances, is clear about his goals. People have lost the will to survive, and this will to survive is a necessary component we need to overcome life's obstacles – from drug addiction to poor fatherhood. All of humanity's failures are reduced to a matter of will. Jake Huntley points out that the easy (and all to popular) comparison that suggest Jigsaws lifts his ideology from Nietzsche and Darwinism theoretical positions only holds if we ignore what Nietzsche and Darwin actually said. Is not the will to power, Nietzsche the very same Nietzsche that was manipulated by Nazi’s in order to promote racial purity? Is not the survival of the fittest Darwin not really Hubert Spencer’s Social Darwinism? In a similar fashion Jigsaw betrays his own moral foundations. By desperately clinging to willpower as the prime motivator, he fails to incorporate, that is only through the collective will power that true greatness is accomplished. Huntley describes jigsaws traps the Irish Journal of Gothic and Horror Studies by arguing;
There is no thrill, sadistic or otherwise, in setting these games; they are throws of the die by the subjects, aleatoric opportunities... As Jigsaw makes clear..., "I've never murdered anyone in my life. The decisions are up to them." Whilst it probably wouldn't stand up in court, he is at least correct in his usual, carefully literal sense. The decisions, the choices, the selection of a potential, are in the hands of the subjects of his games and he only intervenes in order to keep the game within its rules so a decision can be reached.
This, in effect, is the particular game that Jigsaw himself plays; one where the organism might be failing but the flow of desire succeeds and endures. Jigsaw might resort to discussing Darwin's "little trip to the Galapagos Islands" to provide a theoretical underpinning for his project and echo Nietzsche in talking of the will to survive, but this merely misdirects investigators and witnesses in the same way that the gruesome traps and freely flowing gore earn him his unsettling serial killer soubriquet. Jigsaw's games are designed to crack open the world of their respective players: the challenges are nearly always relevant to the subject's lifestyle in a symbolic or literal way, bringing them to painful self-awareness, prompting a reappraisal of their squandered potential. (Huntley, 2014)
Let’s saw into Jigsaw’s ideology. John Kramer is a crafty engineer who is heartless informed by Dr. Gordon that he has cancer and will die. John plummets into despair and drives off the road attempting to kill himself. Savagely removing the car chunk that impaled him he survived. Renewed by the demonstration of will, John Kramer turns into Jigsaw. Looking out at the world he sees the powerless rabble. People trapped in cycles of maladaptation. Using his personal experience as an example for universal change he begins taking the destitute hostage. Trapping the chronically maladaptive in games loosely based on their real life struggles and forcing them to play by Jigsaws rules. Fight or die. Make a choice.
What is this choice really? How does Jigsaw organize the hostage’s freedom? Engineer by trade, Jigsaw, designs elaborate traps that restrict ones focus to a singular objective. Every choice is about living or dying. The difference is only that in Jigsaw’s game the time line is reduced to hours or minutes, whereas in life, for example, the repetitious choice to continue drug use is eventual death. Maybe jigsaw is not as concerned with death qua a biological system shut down but subjective death. The repetitious choice to abandon one's hopes for a better life to one's maladaptations. The smoker weekly makes the choice to buy a pack of cigarettes, and daily makes the choice to huff and puff. Each choice a step farther and farther away from one's freedom and towards one's enslavement to a maladaptation. I am reminded of Marx’s description of alienation
Let us suppose that we had carried out production as human beings. Each of us would have, in two ways, affirmed himself, and the other person. (1) In my production I would have objectified my individuality, its specific character, and, therefore, enjoyed not only an individual manifestation of my life during the activity, but also, when looking at the object, I would have the individual pleasure of knowing my personality to be objective, visible to the senses, and, hence, a power beyond all doubt. (2) In your enjoyment, or use, of my product I would have the direct enjoyment both of being conscious of having satisfied a human need by my work, that is, of having objectified man’s essential nature, and of having thus created an object corresponding to the need of another man’s essential nature... Our products would be so many mirrors in which we saw reflected our essential nature. (Marx, 2014)Marx, of course, was referring to how a worker on an assembly line is alienated by the process of production. The worker is paid only fractions of what a manufactured items profit. The division of labor organizes work to take complex tasks and simplify them to small repetitious labors. Each element gives the worker only partial reward or responsibility. Distanced from the effect and organization of her labor, she is made dumb by the work itself and at the same time reduced to another machine for the purpose of someone else’s profit.
Addiction works similarly, but on the other end of the assembly line. The over eater is constantly buying food, eating food. All life is reduced to the task of keeping the maladaptation happy. The maladaptation profits while the person dies inside. Cycles of brain juices learn to fire in patterns that refocus the brain around the addiction. Eventually, coordinating an individual’s biochemistry to rely on the addiction for ongoing survival. This is why it is dangerous for several alcohol addicts to quit cold turn without a supplement. The body has refocused its survival around adapting to the addiction. Psychologically, this works the same way for the poor parent as well as the pyromaniac. Our thoughts justify, and rationalize to a place for the maladaptive behavior to such an extent that when the behavior is challenged a person’s sense of identity is called into question.
The depression John Kramer experience was a prompted by the callous way in which he was treated by the hospital. Doctor’s treated him like a broken toy. Disregarding his dignity at every turn. This alienation combined with his awareness that death was imminent, crippled his sense of self in the world. His personal will to power, which he held in such high regard even before becoming jigsaw, was displaced when death foreclosed on his future freedom. Left futureless, nihilism sets in. Of what value am I if what I pride most is no longer a reality? In this abysmal state he drives off the road and crashes. Pain overwhelms him, triggers his flight/flight/freeze response. Choosing fight, he yanks the car part from his torso and is born again.
Huntley, Jake (2014) Irish Journal Of Gothic and Horror Studies: Saw films Irishgothichorrorjournal.homestead.com,. (2014).Irish Journal Of Gothic and Horror Studies: Saw films. Retrieved 5 October 2014, from http://irishgothichorrorjournal.homestead.com/SawHuntley.html